Last Updated:

22/1/2007

 

     Last Addition:

11/6/2006

 

  Format:

  TV Episode

  Starring:

  Christopher Eccleston as The Doctor

  Written by:

  Steven Moffat

  Directed by:

  James Hawes

  Duration:

  45 mins

  Original Air Date:

  28/5/2005

  Reviewed by:

  Treacle; Miles Northcott; Shawn Lunn

 

Wartime London is in the grip of a zombie army in part two of Steven Moffat's time-travelling adventure.

 

The Child's plague is spreading throughout the capital, and it's zombie army is on the march. The Doctor and Rose, form an alliance with intergalactic con-man Captain Jack, but find themselves trapped in the abandoned hospital. The answer lies at the bombsite, but time is running out...

 

 

  Submitted By:

  Shawn Lunn

  Review Submitted:

  11/6/2006

 

The Doctor (to Rose/Captain Jack): “I’m really glad that worked. Those would’ve been terrible last words”.

 

Amazingly it’s been a good while since I’ve heard the words “go to your room” in a parental tone and the opening sequence to part two of this brilliant adventure only got better and better. An impossible feat you might think but a fact. Briefly escaping the clutches of the infected hospital staff and patients in Albion Hospital, we got some very nice moments with The Doctor, Rose and Captain Jack as more about our mysterious former Time Agent was unravelled.

 

So Captain Jack has a thing for conning other Time Agents with useless items of junk which he masquerades as valuable ships etc, gets half paid and destroys the evidence and commiserates with the latest buyer that he’s duped in parting with his cash? Not exactly a very nice thing to do but it does seem that both the scriptwriter and the lovely John Barrowman are pretty determined to make us like Captain Jack, so much that Jack manages to teleport The Doctor and Rose safely away from The Empty People to his invisible spaceship. You know after we get some fake out moments with our trio in peril of course.

 

Although learning more of Captain Jack’s past makes Rose a little cautious of him, is it that big of a shock that The Doctor is a little less eager to trust him? Honestly, not within the slightest.

 

The con artist thing aside, Captain Jack seems to know a lot about different technologies and even The Doctor can’t help but feel suspicious and rather threatened by this and with Rose being constantly impressed by Jack. She notes how both men are rather alike and it begs the question – just how much alike are they really?    

 

The Doctor is alien, the last of his species whereas Captain Jack is one part of his species. When The Doctor dies, he regenerates and then looks like someone else, we don’t know what happens to Jack, assuming for a second that he might not be human. The Doctor remembers all his 900 plus years of time travelling while Jack has had two years of his life and memories erased, like Sydney Bristow in Alias.

 

Jack also made a point of noting that The Doctor might have good reasons to not trust him and keeping with the Alias comparison, Captain Jack could’ve actually have been a bad guy or kidnapped and brainwashed by other Time Agents (or someone or something else) into committing evil acts. I definitely want answers to this sooner rather than later, especially if he’s going to be a permanent fixture from now on. Can you tell from this review that Jack being a regular is a good thing in my books?

 

To recap, my reasons for liking Captain Jack are quite simple. He may be a bit of a scamp but there’s an irresistible charm to this guy’s presence. Not only was Jack’s interplay with Rose fun to watch but the dynamic between him and The Doctor is superb. It’s kind of a platonic love/hate/mutual respect type of relationship with these two and John Barrowman and Christopher Eccleston are great to watch.

 

The Doctor is still the most knowledgeable of the bunch but I can’t wait to see our duo now become a trio. Hopefully Jack will fare out better than Adam ever did and it’s nice that this show continues to show ambition and a desire to shake up the format, although old series have featured more than one companion with The Doctor at a time.

 

Also if there’s another reason why Jack should stay, it’s because that even though he was a little responsible for the Nanogenes in that fake ambulance (his junk not being so useless after all) mutating all and sundry who have interacted with Jamie into Empty People/Gas Mask people, he did his best to amend the situation by containing the bomb and faced with no way of escaping, he was willing to take his death gracefully. Thankfully with much chiding from Rose, The Doctor put suspicions aside and rescued Jack.

 

Even better news and nonchalantly thrown in, it also turns out that Jack is bisexual when he volunteers to distract Algy at the railway station where the bomb was hidden. Rose’s reaction to this revelation is nothing short of priceless. Can this guy get any better?

 

As for The Empty Child storyline, it’s revealed that all along it’s been Nancy who was responsible for his hungry pursuit of his mother. It’s not a real shock to learn that Nancy is his Mum, especially given how she left the other kids to protect them and freaked out when she was chained beside an infected soldier at the railway station. Florence Hoath is a delight and Nancy’s final acceptance of her responsibility as Jamie’s mother by admitting it to her lost child is touching. All the time while I was watching this two part instalment, I never viewed the Empty People as villains and Nancy’s plight of being teenage single parent is a realistic issue, dealt wonderfully here through fantasy and slight metaphor.

 

The end result had the Nanogenes reversing their own effects and everyone restored to their human status. The Doctor acts like its Christmas and in fairness, he’s not exactly wrong with feeling that way. The episode ends on a fantastic note as our Time Lord shows both Captain Jack and Rose inside the TARDIS that he certainly can dance.

 

Also in “The Doctor Dances...

 

Because this is part two of a two part story, the “Previously On” bit was back. They don’t use them as much as other shows are likely to, do they?

 

Rose (to Captain Jack): “When he’s stressed, he likes to insult species”.

The Doctor: “Rose, I’m thinking”.

 

Captain Jack’s weapon was a sonic blaster, who could be used as a sonic cannon or disruptor. The joke with The Doctor swapping it with a banana during an attack was a little amusing. I think he was paying Jack back for the showing off earlier on.

 

Rose (re Captain Jack disappearing): “Why is it always the great looking ones who always do that?”.

The Doctor: “I’m making an effort not to be insulted here”.

 

Character bits: Jack used an on-com to communicate with The Doctor and Rose, he’s from the 51st Century and his ship is a Tula one, like the one he tried to con beforehand.

 

Rose (to The Doctor): “You got the moves? Show me your moves!”.

 

The Doctor: “We were talking about dancing”.

Captain Jack: “It didn’t look like talking”.

Rose: “Didn’t feel like dancing”.

 

The “Bad Wolf” logo appears in German on the bomb that Jack dispatched. What is the connection with these two words?

 

The Doctor (re Captain Jack): “He’s a 51st Century guy who’s a little more flexible when it comes to dancing”.

Rose: “How flexible?”.

 

There were a few gay connections in this episode. Jack confessed to sleeping with two of his executioners and Nancy blackmailed Mr Lloyd into letting her loot his house because of an affair. And Stonewall are complaining about the lack of gay visibility on the BBC again because?

 

Nancy: “Tell me, do you think that there is anything I couldn’t believe?”.

Rose: “We’re time travellers”.

 

The Empty Child/Jamie: “Are you my Mummy?”.

Nancy: “Yes, yes I am your Mummy”.

 

The Doctor made a reference about Rose and a bike when she was twelve years old. Thinking of “Father’s Day”, it isn’t an accident that she’s his latest assistant.

 

The Doctor: “Everybody lives, Rose. Just this once”.

 

Captain Jack (re the TARDIS): “Much bigger on the inside.

The Doctor: “You better be”.

 

Standout music: “Moonlight Serenade” and “In The Mood” by Glenn Miller. Even the latter got me in the mood for dancing.

 

After such a spectacular first episode, “The Doctor Dances” is not only on a par, but it is actually better than “The Empty Child”. The wonderful characterisation, the heartfelt moments and restoration of the Nanogenes victims, aided by an uplifting message from The Doctor and all that dancing at the end. Fantastic!

 

Rating:  

 

  

» Review by Shawn Lunn, Copyright 2006.

 

 

  Submitted By:

  Miles Northcott

  Review Submitted:

  30/10/2005

 

Everybody Lives! It barely ever happens, certainly not in recent seasons, but this time it did. Everybody Lives. Great..no, better than great. Fantastic!


Right from the get-go, episode two of
The Empty Child, namely The Doctor Dances, delivers some clever touches. The resolution to the cliffhanger is pure Doctor Who, with the Doctor using his ingenuity to escape from the clutches of the zombified patients, in doing so, also saving Nancy from the deadly clutches of her dead 'brother'. Although this is yet another terrific episode, I get the impression that the story may have worked better as an old style 3-parter rather than a new 2-parter, as the pace drops a little in this episode & is filled with mostly comedy moments. I can only presume that this is intentionally done to ease the moments of high drama & give the little 'uns something to make them feel better. So the whole episode zig-zags between genuinely scary moments & comedic scenes. Each element works well, but I can't help but feel slightly confused as to exactly what I was watching. The Doctor & Jack talk about bananas, then they are in an eerie room filled with a child's drawings, then Nancy has an amusing scene where she escapes the attentions of the owner of her dinner, then the Doctor's party are confronted by Jamie - the Empty Child, then Jack is pointing a banana at him & we get a debate on all things sonic. So we bounce around all over the episode from scary to funny & back again. I get the distinct impression that Jack has been introduced predominantly for light relief, although he does get the occasional moment of high-drama. I'm also not at all sure about the sexual connotations he brings to the series.

 

I know it's now a Russell T Davies show & that he must get some gay/bisexual elements into everything he does, but it isn't what Doctor Who is about. It has always been an asexual show as such, apart from the odd lustful moment involving Peri (or Leela), but if RTD wants to ensure it STAYS as a family early-Saturday-evening drama, then leave the whole subject of sexual preferences alone, please. On every other level the new series is working beautifully, but on this one it is grating a mite & not just with me I'll warrant.


The other non-essential elements of
The Doctor Dances, were when the Doctor..um..danced! The only relevance I could find which it had was when the Doctor examined Rose's hands, thereby allowing another clue as to how the Doctor could find a way out of the story, except, of course, that this, being Doctor Who circa 2005, does not happen. Meaning that the Doctor doesn't find a way out, that is dealt with by happenstance or by someone else. With the possible exception of Rose, when the magical anti-plastic solved the problem, the Doctor has merely been an onlooker this season. Think about it. The End of the World - he gets the shields back up, but Cassandra just dries out on her own. The Unquiet Dead - Dickens to the rescue. Aliens of London / World War Three - he provides the rather drastic solution, but it is Mickey & Harriet who do the dirty. Dalek - Rose saves the day, with the help of the new eco-friendly Dalek. The Long Game - is resolved by Cathica (prompted by the Doctor) using her brain for a change & melting good old Max.

 

Here we have the nanogenes, the cause of the problem in the first place through no fault of their own, scanning Nancy, now revealed as Jamie's teenage mother rather than his sister & putting right their earlier mistake which negates the emergency. The Doctor does get to administer the 'upgrade' to the zombies, making everyone fit & healthy once more & even allowing one lucky lady the use of her lost leg once again, but he isn't the driving force behind the solution. Now, RTD is a bright spark & he has sculpted this season superbly, so I'm wondering if he hasn't done this on purpose, allowing everyone else to be the hero with the Doctor as a shadowy figure in the background in each & every story except the first, which introduces our hero, & perhaps the last, which as we all know now leads to his next regeneration. However you look at it, the series is edging towards something. First it was the various mentions of the war & the Doctor's part in it & the consequences of it. Then we get the various Bad Wolf references, of which we get another brief one at the end here as Jack sits astride a bomb with Wolf written on it. Everything is building up to a climax & trying to work out what will happen is exciting & intriguing in equal measure.


Just as all this is running through your mind, the Doctor is dancing, with delight on this occasion as the little robots mend everyone & he gets to see a truly happy ending for a change. It truly is a remarkable moment in Doctor Who history. The Doctor knows it, Rose senses it & we all get sucked in. The threat has been removed & the end of the episode is played out in a really uplifting way. "Ask me anything, I'm on fire" bellows the Doctor delightedly & he even feels disposed to rescue Jack, who has been prepared to make the ultimate sacrifice & the American sounding 'Captain' joins the TARDIS crew, on a slightly less temporary basis than Adam. Will he have any significance as the show steamrolls towards its ultimate denouement? Time alone will tell. Either that or somebody who knows what happens & I am not amongst that number, nor do I wish to be for this is one of the joys of Doctor Who 2005, the promise of that yet to come. As the Doctor & Rose boogie into the night we get the teaser for the following week, which I thought was to be the Big Brother episode, so to discover the return of both the Slitheen AND the rift from The Unquiet Dead was a pleasant surprise, although, as this is the penultimate story, I suspect we won't get an all-action, high-drama story for fear of stealing the thunder of the final story.

  

 

» Review by Miles Northcott, Copyright 2005.

 

 

  Submitted By:

  Treacle

  Review Submitted:

  5/6/2005

 

Part two of The Empty Child, and from the previous cliffhanger, the Doctor boldly tells the empty children to "Go To Your Room!" From then on it's a long race to the finish, and the "bomb" as the zombies stroll after them calling for mummy, nothing stopping them, except the Nanogenes in the "bomb" and that Nancy must tell the first Empty Child, Jamie, that she is his Mummy, and not her younger brother as she claimed in the last episode.

 

The Doctor is ecstatic as the Nanogenes heal all, and he takes off Jamies mask, and the zombies wake, wondering where they are, but better than ever, including Doctor Constantine (Wilson). The dancing?

 

Well that's all a sub-plot as Rose compares the two men in her life, and they dance in the Tardis. In all, a fairly good story filled with FX, humour and scary moments, but not the fun and excitement of Aliens in London! Still Great though!

 

  

» Review by Treacle, Copyright 2005.

 

Doctor Who is © Copyright to the BBC. No infringement intended.